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Child's Chair (Consent)
Written by Nina Raine
Designed by Jodie Yates
Painte1 childlike elements on one of the chairs used in the play to differentiate it from others and to be more evidence of a child that is spoken about but not shown.
Production Photos
Oppenheimer Chairs
Written by Tom Morton Smith
Designed by Jessica (Wenjing) JI
Scenic Communicator - Kathryn Brown
Textured using Idenden
Glazed with satin glaze mixed with graphite powder
Rust colouring made with Rosco burnt sienna and yellow orche
Production Photos
The Cock and Pie Sign
Made for Playhouse Cretaures (written by April De Angelis, Set Design by Alberto Aquilina)
Reused for Opera Scenes (November, 2023. Directed by Cecilia Stinton. Designed by Amy Mardsden and Kathryn Brown)
Made by Marcha Goodchild.
Sign design by Alberto Aquilina
Wood painted with two shades of Crown vinyl paint
Metal finish created by a grey base coat and metal powder in a matt glaze.
Production Photos
Olion - Part 1: Arianrhod
Seaweed
Written by Angharad Elen
Designed by Eliin Steele
Original Scenic Team - Roxanne Spence, Vada Balwin & Aleks Carlyon
Paint Call Secnic Team - Roxanne Spence & Kathryn Brown
Polyethylene strips attached using watered-down PVA glue
Painted with layers of emulsion paint for added detail.
Rock process in Cloth Painting
Act 1 - Grass Floor
Flamebar soaked hay laid down in a spiral with Idenden & PVA. Painted with washes and dry-brushed Rosco and emulsion paint.
